Is not only Billy May’s best album but is also one of the finest, if not THE finest, brass albums ever made. It also won the 1958 grammy for best instrumental performance; no mean feat considering the overall excellence of jazz/popular music produced during that period. It is an unconventional, watershed album that solidified May as an arranger of uncommon savvy and sensibilities. BIG FAT BRASS personnel were the cream of the crop of Hollywood musicians, including the likes of Conrad Gozzo, Si Zentner, Manny Klein among many others. Fortunately May also utilized his regular superb rhythm section of Paul Smith, piano; Joe Mondragon, bass; Al Hendrickson, guitar; and the always impeccable Alvin Stoller on drums. There was also a percussion section giving added color. The tunes are uniformly excellent with the rousing BRASSMEN’S HOLIDAY starting the proceedings. Also outstanding is the relentless martial beat of RETURN OF THE ZOMBIE, impressive in its power and swagger and an almost mystical ON A LITTLE STREET IN SINGAPORE. There is also what I consider THE definitive version of INVITATION (hear for yourself!). One of my favorites is JOOM JOOMS, a fine showcase for the smooth brass ensemble and May’s unstoppable sense of humor. Ted Ulrich