It’s a lesson every great musician learns eventually. Less is more; simplicity is everything; groove conquers all. If Matt Webb’s debut as a solo artist with 2011’s Coda and Jacket presented seven different sides of the Vancouver-based musician, from the hook drenched ‘80s guitar pop of “Cinnamon” to the aerobic synth-funk of “Bad Girl”, this year’s model is decidedly more direct in its approach.