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Michael George
歌手Michael George。
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Michael George&George Frideric Händel&The Sixteen&Harry Christophers - Bacchus Ever Fair and Young (Aria – Bass & Chorus)
Michael George&George Frideric Händel&The Sixteen&Harry Christophers - How Art Thou Fall'n From Thy Height! (Aria - Haman)
Simon Standage&Collegium Musicum 90&Michael George&George Frideric Händel - XVII. Aria. Mie piante correte (My feet run) (Apollo)
Harry Christophers&The Sixteen&Ian Partridge&Michael George&Bible&Johann Sebastian Bach - Recitative. Allda kreuzigten sei ihn (Evangelist) - Schreibe nicht. der Juden Konig (Chorus) –
Harry Christophers&The Sixteen&Michael George&George Frideric Händel - IV. Sicut sagittæ in manu potentis (Bass)
Mark Padmore&Michael George&Richard Hickox&Collegium Musicum 90 - Make room (Bacchanals, Bacchus)
Catherine Pierard&Michael George&Richard Hickox&Collegium Musicum 90 - Tell me why (Shepherd, Shepherdesses)
Michael George&Richard Hickox&Collegium Musicum 90 - Hence with your trifling deity (Bass)
Michael George&Richard Hickox&Collegium Musicum 90 - The History of Timon of Athens, The Man-Hater, Z. 632 - Return, revolting rebels (Bacchus)
Michael George - My God
Simon Standage&Collegium Musicum 90&Michael George&George Frideric Händel - I. Recitative. La terra e liberata! (The earth is freed!) (Apollo)
Brian Kay&Michael George&Margaret Philips&John Stainer - Recitative. He made Himself of no reputation (Bass)
Harry Christophers&The Sixteen&Ian Partridge&Michael George&Bible&Johann Sebastian Bach - Recitative. Die Juden aber schrieen und sprachen (Evangelist) - Lassest du diesen los (Chorus)
Simon Standage&Collegium Musicum 90&Nancy Argenta&Michael George&George Frideric Händel - VI. Recitative. Che voce! Che belta! (What a voice! What a beauty!) (Apollo, Dafne)
Michael George&Richard Hickox&Collegium Musicum 90 - The Prophetess, Z. 627, "The History of Dioclesian" - Act V: Masque: Duet: Come, come away (Bacchanalian, Silvan)
Simon Standage&Collegium Musicum 90&Michael George&George Frideric Händel - X. Recitative. Placati al fin, o cara (Calm yourself, O dear one) (Apollo)
Simon Standage&Collegium Musicum 90&Nancy Argenta&Michael George&George Frideric Händel - IX. Duet. Una guerra ho dentro il seno (A war rages in my breast) (Dafne, Apollo)
Simon Standage&Collegium Musicum 90&Michael George&George Frideric Händel - IV. Aria. Spezza l'arco e getta l'armi (Break your bow and throw away your arrows) (Apollo)
Simon Standage&Collegium Musicum 90&Michael George&George Frideric Händel - III. Recitative. Ch'il superbetto Amore (Let proud little Cupid) (Apollo)
Simon Standage&Collegium Musicum 90&Michael George&George Frideric Händel - II. Aria. Pende il ben dell'universo (The well-being of the universe) (Apollo)
Simon Standage&Collegium Musicum 90&Michael George&George Frideric Händel - . Aria. Cara pianta, co'miei pianti (Dearest laurel, with my tears) (Apollo)
Simon Standage&Collegium Musicum 90&Nancy Argenta&Michael George&George Frideric Händel - XVI. Recitativo. Sempre t'adorero! (I shall always adore you!) (Apollo, Dafne)
Simon Standage&Collegium Musicum 90&Nancy Argenta&Michael George&George Frideric Händel - XV. Duet. Deh! lascia addolcire quell'aspro rigor (Pray! Soften your unbending severity) (Apollo, Dafne)
Simon Standage&Collegium Musicum 90&Nancy Argenta&Michael George&George Frideric Händel - XIV. Recitative. Odi la mia ragion! (Hear my reason!) (Apollo, Dafne)
Simon Standage&Collegium Musicum 90&Michael George&George Frideric Händel - XI. Aria. Come rosa in su la spina (Like the rose on its stem) (Apollo)
Harry Christophers&The Sixteen&Michael George&George Frideric Händel&Bible - That God is great we often have by glad experience found (Bas
Harry Christophers&The Sixteen&James Bowman&Michael George&George Frideric Händel - The heav'ns are thine, the earth is also thine (Alto & Bass)
Harry Christophers&The Sixteen&Ian Partridge&Michael George&Bible&Johann Sebastian Bach - Recitative. Da fuhreten sie Jesum (Evangelist, Pilatus) - Ware dieser nicht ein Uberltater (Ch
Harry Christophers&The Sixteen&Ian Partridge&Michael George&David Wilson-Johnson&Bible&Johann Sebastian Bach - Chorale. Da sprach Pilatus zu ihm (Evangelist, Pilatus, Jesus) - Nicht diesen, sondern Barraba
Harry Christophers&The Sixteen&Michael George&Bible&Johann Sebastian Bach - Arioso. Betrachte, meine Seel (Bass)
Harry Christophers&The Sixteen&Ian Partridge&Michael George&Bible&Johann Sebastian Bach - Recitative. Und die Kriegsknechte flochten eine Krone (Evangelist) - Lassesest du diesen lost
Harry Christophers&The Sixteen&Michael George&Bible&Johann Sebastian Bach - Aria. Eilt, ihr angefochtnen Seelen (Bass, Chorus)
Harry Christophers&The Sixteen&Michael George&Bible&Johann Sebastian Bach - Aria. Mein teurer Heiland, lass dich fragen (Bass, Chorus)
Richard Hickox&Collegium Musicum 90&Michael George&Georg Philipp Telemann&Johann Andreas Cramer - VI. Sie stürzt die stolzen Gebirge zusammen (Bass II)
Richard Hickox&Collegium Musicum 90&Stephen Roberts&Michael George&Georg Philipp Telemann&Johann Andreas Cramer - VII. Duet. Er donnert, daß er verherrlichet werde (Bass I & II)
Richard Hickox&Collegium Musicum 90&Michael George&Georg Philipp Telemann&Johann Andreas Cramer - XI. Scharf sind deine Geschosse (Bass II)
Michael George&Richard Hickox&Collegium Musicum 90 Chorus&Collegium Musicum 90 - Great Diocles the Boar has kill'd (Bass) - Sing Io's! (Chorus)
Corin Bone&Michael George&Richard Hickox&Collegium Musicum 90 Chorus - Duet (Soprano, Bass) - Let all mankind the pleasure share (Chorus)
John Mark Ainsley&Mark Padmore&Michael George&Richard Hickox - The Prophetess, Z. 627, "The History of Dioclesian" - Act II: Martial Song: Let the soldiers rejoice (Tenor) - Trio: Rejoice with a general voice (Tenor, Tenor, Bass) - Retornello - Trio: To Mars let 'em raise (Tenor, Tenor, Bass) - Rejoice with a general
John Mark Ainsley&Corin Bone&Michael George&James Bowman - The Prophetess, Z. 627, "The History of Dioclesian" - Act II: A Symphony of Flutes - Song: Since the toils and the hazards (Alto) - Quartet: Let the priests … (Soprano, Alto, Tenor, Bass) - All sing … (Chorus)
Catherine Pierard&Michael George&Richard Hickox&Collegium Musicum 90 - Come, let us agree (Cupid, Bacchus)
Brian Kay&Michael George&Margaret Philips&John Stainer - Recitative. And as Moses lifted up the serpent (Bass)
Brian Kay&Martyn Hill&Michael George&Margaret Philips&John Stainer - Duet. So Thou liftest Thy divine petition (Tenor, Bass)
Brian Kay&Martyn Hill&Michael George&Margaret Philips&BBC Singers&Leith Hill Festival Singers&John Stainer - Recitative. And one of the malefactors (Tenor, Bass, Chorus)
Brian Kay&Martyn Hill&Michael George&Margaret Philips&BBC Singers&Leith Hill Festival Singers&John Stainer&John Sparrow-Simpson - Recitative. When Jesus therefore saw His Mother (Tenor, Bass, Chorus)
Brian Kay&Michael George&Margaret Philips&John Stainer - Recitative. Is it nothing to you? (Bass)
Brian Kay&Michael George&Martyn Hill&Margaret Philips&BBC Singers&Leith Hill Festival Singers&John Stainer - The Agony. Could ye not watch with Me one brief hour? (Bass, Chorus) - Recitative. And they laid their hands on H
Harry Christophers&The Sixteen&Lynne Dawson&Ian Partridge&Michael George&George Frideric Händel&Bible - For the Lord is gracious, his mercy is everlasting (Soprano, Tenor & Ba
Brian Kay&Michael George&Margaret Philips&John Stainer - Recitative. And when they were come (Bass)
Simon Standage&Collegium Musicum 90&Nancy Argenta&Michael George&George Frideric Händel - VIII. Recitative. Che crudel! (How cruel!) (Apollo, Dafne)
Michael George - Here's to Love
David Atherton&Michael George&Peter Hall&Philip Langridge&Richard Suart - Holst: At the Boar's Head, Op. 42: "I Am a Rogue" (Prince, Bardolph, Peto, Poins) (1995 - Remaster|Falstaff)
David Atherton&Elise Ross&John Tomlinson&Michael George&Philip Langridge - Holst: At the Boar's Head, Op. 42: "We Two Saw You Four" (Prince, Poins, Falstaff, Hostess) (1995 - Remaster|Prince)
Michael George&Timothy Norris - Good King Wenceslas
Pro Cantione Antiqua&Timothy Penrose&James Griffett&Stephen Roberts&Michael George - Requiem for Four Voices
Pro Cantione Antiqua&Michael George&Timothy Penrose&Stephen Roberts&James Griffett - Four Voices
Pro Cantione Antiqua&Timothy Penrose&James Griffett&Michael George&Stephen Roberts - Requiem for Four Voices
Pro Cantione Antiqua&Timothy Penrose&James Griffett&Stephen Roberts&Michael George - Four Voices
Pro Cantione Antiqua&James Griffett&Michael George&Stephen Roberts&Timothy Penrose - Four Voices
Pro Cantione Antiqua&James Griffett&Kevin Smith&Michael George&Charles Brett&Timothy Penrose&Christopher Keyte&Ian Partridge - Music For Easter Sunday
Pro Cantione Antiqua&James Griffett&Stephen Roberts&Michael George&Timothy Penrose - Four Voices
Pro Cantione Antiqua&Stephen Roberts&James Griffett&Michael George&Timothy Penrose - Four Voices
Pro Cantione Antiqua&Stephen Roberts&James Griffett&Michael George&Timothy Penrose - Requiem for Four Voices
Pro Cantione Antiqua&James Griffett&Michael George&Timothy Penrose&Stephen Roberts - Requiem for Four Voices
Pro Cantione Antiqua&James Griffett&Michael George&Stephen Roberts&Timothy Penrose - Requiem for Four Voices
Pro Cantione Antiqua&Charles Brett&Timothy Penrose&Christopher Keyte&Ian Partridge&Suzanne Flowers & Nancy Long&Stephen Roberts with Elizabeth Lane&James Griffett&Kevin Smith&Michael George - Music For Easter Sunday
Pro Cantione Antiqua&Michael George&Kevin Smith&Timothy Penrose&Christopher Keyte&Charles Brett&James Griffett&Ian Partridge - Music For Easter Sunday
Pro Cantione Antiqua&Timothy Penrose&Christopher Keyte&Charles Brett&James Griffett&Ian Partridge&Michael George&Kevin Smith - Music For Easter Sunday
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